Michael Jackson’s Personal Photographer Remembers How They Met
In a New Republic article written by Anna Hiatt, Harrison Funk, who photographed Michael from his early days through to his sad passing in 2009, remembers how he met Michael for the first time.
Harrison Funk remembers being captivated by Michael Jackson’s eyes.
“Michael had the most beautiful eyes I’ve ever photographed,” he told me recently. “They were large. They were expressive. They were deep. I don’t mean that physically. It was a picture into his soul. I think Michael, he knew in every picture what he wanted to convey. Even when he was completely natural he could convey a message to the camera.”
Funk began shooting Michael in the early 1980s and continued on and off until his death five years ago on June 25, 2009. Funk was in his twenties when he made his first shot of Michael, before the singer launched his solo career. Funk had been invited to a party at New York City’s Tavern on the Green, and he found himself shooting pictures of Michael and the rest of the Jackson family backstage. Shortly afterward, Funk got a call from Michael’s publicist, inviting him to Los Angeles. Without promise of a job or even reimbursement, Funk got on the plane.
He remembers the day that he and Michael connected – really connected – for the first time. Tito Jackson’s kids were playing in a softball game, and while a couple of the brothers hung out on the sidelines, Michael sat by himself in a parked car down the block. When he saw Funk approach, Michael told him to get in and the two sat talking about “everything in the world, and baseball.”
Funk chronicled Michael’s career, starting with the Jacksons’ ‘Victory Tour’ in 1984 and Michael’s first solo tour, ‘BAD’ (1987-89).
“He taught me so much about observing, seeing the moment and capturing the moment,” Funk said. “He taught me so much about perfection and Michael was a perfectionist. He wanted everything to be just so, even when it was spontaneous, it was just so. That was part of his brilliance, the ability to make that happen without any effort.”
Access and trust are key to making documentary images, especially with publicity-conscious celebrities.
“I was just myself,” Funk said. “There was no pretense. I am who I am. I was open, and they knew that no picture would leave my hands without approval. And it got to the point to the middle of the tour where I was able to approve images. They trusted me.”
READ and SEE more Harrison Funk’s historical photographs of Michael.
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Source: New Republic & MJWN